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Paul Marks He
pulled a gun on the LAPD
and lived to tell about it.*

A Los Angeles native, Paul Marks loves the city that L.A. was.
Dodging bullets, he's not so sure about the city it is today.
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Nothing in your technicolor dreams can match the magic and illusion that
calls itself Los Angeles. Set down in the middle of the City of Angels
is the City of Dreams to some, Demons to others Hollywood.
-excerpt from Destination Unknown
(novel in progress)
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Paul is the stealth screenwriter, making his living from
optioning screenplays of his own and rewriting (script doctoring) other
people's scripts or developing their ideas. He has also lectured on
writing and screenwriting at UCLA, California State University, San
Bernardino, Learning Tree University and at other seminars and conferences.
Concentrating on fiction lately he has had several stories up for
awards. Netiquette won First Place in the Futures Short
Story contest and Dem Bones was
a finalist in the Southern Writers Association contest. His novel
WHITE HEAT won its category in the
2005 Southwest Writers Contest. Other stories
have been submitted for Shamus, Pushcart, Derringer and
Edgar consideration by their editors.
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Sex, drugs and rock 'n' roll. Well, two out of three
ain't bad, Jim thought staring at the blips on is
computer screen. He could have sex and even rock 'n'
roll with sound over the Internet or America OnLine. No
drugs, unless you considered his addiction to the
keyboard a drug. Everyone's addicted to something these
days. And everything they're addicted to is a disease.
So Jim didn't feel too bad about his addiction to
chatting online. He belonged to CompuServe, America
OnLine, a dedicated net provider and several private
computer bulletin boards.
--excerpt from Netiquette
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Paul considers himself an L.A. writer, even though not
everything he writes is set in L.A. But everything he writes is
certainly informed by his Los Angeles experiences.
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Los Angeles is a city like any other, maybe more so. It has more people,
more smog. More gang killings. And maybe even more magic. Hey, there's
no place like home. And home could be a walk-up apartment in Venice by
the Sea - not quite the same as its namesake in Italy. No gondoliers singing sweet songs here. Or a mansion in Beverly Hills. And everyone,
but everyone, from the little old lady from Pasadena to the gangbanger
down the block has a script under their arm, a hundred and twenty pages of three-hole punch paper with cardboard covers and three brads. You know, the stuff dreams are made of.
--excerpt from The Ruby Slippers
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Never
one to sit on his hands, Paul has several novel-irons in the fire.
Mostly mysteries and one mainstream novel. Excerpts from some of these
are on these pages.
Besides fiction and screen work, Paul has sold non-fiction articles
to Los Angeles Daily News, The Los Angeles Times, The
Los Angeles Herald
Examiner, and American Premiere magazine. He was also a contributing editor
on The Hollywood Gazette.
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Hollywood Boulevard is the strutting peacock itself, an amalgam of
types straight out of Central Casting, punks with spiked hair that could
make you bleed, bikers that will make you bleed, hookers whom you can
bleed your troubles out upon, transvestites and tourists, whose wallets
bleed green instead of red.
--excerpt from Destination Unknown
(novel in progress)
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TRUE STORIES:
A little history montage a very little:
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Youve got rock and roll
At the Hollywood bowl...*
You might have rock 'n' roll at the Hollywood Bowl, but parking is
and always was a nightmare. So whadda ya do when you gotta find a place
to park you park on the residential streets across from the Bowl,
especially when you're young and poor all those years ago.
So when my then-girlfriend, my brother and another friend and I
headed back to our car after a concert I was a little dismayed to see
that my car had been blocked in by another car.
Cars to the left of me, cars to the right of me, stuck in the middle
with you....
Wedged in. I was parked legally in a cul de sac. A house in front of
me. A car to the left, a cliff on the right. And now a car behind me,
blocking me in.
I couldn't go forward into the house, or left or right. And I wasn't
about to wait until the stoned jerk got back to his car. I assumed he
was another concert goer. Hey, man, be cool, dude. Don't sweat it. Go
with the flow. Sit and watch the river flow (no river) and wait till I
get back there, dude.
Peace, love, man.
I gently broke into his car's wing window - remember those,
like getting mail twice a day or having names for telephone exchanges, a
thing of the past. I reached in, unlocked the door and swung it open so
hard I broke the spring. The door wouldn't close, which was okay with me
as I had other plans for the car anyway.
Jerking it into neutral, I rolled the car back a few feet, just
enough, turned the wheel to the right and gave it one good, hard push.
Down the cliff it went, just like in the movies.
My girlfriend was horrified.
I was elated.
My friend was mortified.
I was ecstatic.
My brother was aghast.
I was euphoric. Finally someone received the justice they deserved.
I wasn't quite so elated or ecstatic when my girlfriend wouldn't
sleep with me for a month afterwards.
But to this day, my only regret is that I wasn't there to see the
guy's face when he came looking for his car, "Uh, where's my car,
man?"
Peace, brother. And thank God for the statute of limitations.
*lyrics from Rock Show by Paul McCartney |
When I started out as a would-be writer I thought there were certain
things real writers did. They drank. I drank. But when I drank I didn't
want to write I wanted to have fun. So much for drinking. But drinking
or not I thought writers should hang out at bars and dives and soak up
atmosphere or thrown beer. My first adventure out was to a well known
sleazy eatery. I sat at the counter listening for tidbits of dialogue,
insights into lives. What I got was a shirt full of beer when two guys
playing pool a few feet away got into a fight. Free beer, who could ask
for more? If a cop had stopped me on the way home my shirt-alcohol level
would surely have been over the legal limit. Would they have arrested me
or just my shirt?
I also wanted to try almost anything to get noticed, have people read
my scripts. I'd send letters to everyone. The bigger they were,
generally speaking, the nicer they were. Gene Kelly invited me to his
house to drop off a script. And when I got there he invited me in for a
chat. Burt Reynolds had his manager call and take a look at a script. It was the little ones
I never heard from. I guess they were too big, true legends in their own
minds.
Cary Grant called me. I had sent him a letter telling him about a
script of mine. Hoping he might give up his many-yeared self-imposed
exile from making movies to be in my little script. If he were to be in
it, it would certainly go from a script to a movie.
So one day the phone
rang. I picked it up.
"Hello is Paul Marks there?" a familiar voice said. My God,
could it be?
I confessed.
To make a long story short, we had a nice, pleasant
conversation. And though he didn't want to do my movie, Mr. Grant was as
charming and debonair on the phone as his character in the movies. And
nice.
I pictured him under a palm tree by his pool, sipping a
daiquiri. Or maybe
in his den in an Armani suit, this handsome, debonair man. And while I was talking to
the most suave man in the world, I wondered if he could imagine that I
was on my throne . . . the toilet. Since the phone was right outside the bathroom door
and in those days I never wanted to miss a call. After all, I never
knew, it could be Cary Grant calling.
Now if only Paul McCartney would call...
I'll have to use these in a story some day...

Paul's interests include SCUBA, reading in general & reading and
watching mysteries in particular, film noir, 60s rock/Beatles and
today's alt. rock, swing and cowboy music (as opposed to country music),
collecting plastic (& some metal) toys from 40s-70s, Edward Hopper
art and the history of Los Angeles, from the mean streets to the streets
paved with gold.
* * *
Paul is or has been a member of the following among others not listed
here:
Alpha Epsilon Rho, the National Honorary Broadcasting
Society
American Film Institute
Aztec Dive Club (scuba diving)
Hollywood Heritage, historic preservation group
IFP West - Independent Feature Project
Los Angeles Conservancy, historic preservation group
Los Angeles Film Teachers Association
Mystery Writers of America
Private Eye Writers of America
Shakespeare Authorship Roundtable
Sisters in Crime, former board member, L.A. chapter
Writers Guild of America, West

*And yes, it is true: I pulled a gun on the LAPD and I'm here to
tell about it.
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According
to some people, if the LAPD is known for one thing it's for
being trigger happy, ready to bust people up. Well, I'm happy to
be able to say that I'm one of the few people to have pulled a
gun on two cops and lived to tell about.
* * *
In a Lonely Place
was on the tube. One of my favorite
movies. Didn't matter how many times I saw it it was never
enough. Gloria Grahame was beautiful. Seductive. Bogart was
cynical. Jaded. Everything was shaded. Ambiguous. Hollywood was
hell - still is. And one of the few cases where the movie's
ending actually improved on the original book. So much for the
book always being better than the movie.
I heard a noise outside. The chopper roared in low overhead.
A strafing run. I didn't think so, but I had to talk myself out
of it. He was hovering.
My downstairs neighbor Sally (name changed) had been attacked
twice by a guy who tried to rape her. I had chased the guy down
the alley. Every night I would search her apartment for her when
she came home. I'd let her sleep on my couch. I wondered if the
helicopter hovering overhead was there because the bad guy was
back.
Maybe the bad guy was back. But Sally wasn't. She had moved in
with her boyfriend Tod (name changed), though she still kept her
apartment.
I grabbed my politically incorrect pistol, headed to my front
door. It was a small apartment building in Rancho Park, half a
block west of 20th Century Fox. Only four units. And
only one upstairs. Me. The stairs that led from my apartment
ended in front of Sally's apartment below.
I opened my door slowly, - quietly, feeling as if I was in a
movie - and headed out to the landing at the top of my stairs. I
watched the chopper circle above. Then, two scuzballs came out
of Sally's apartment. Two for the price of one. Greasy long
hair. Big mustaches. Dirty clothes.
The bad guy and a friend?
"Hold it," I said, aiming point blank at them only
a few yards below. I could have dropped them both before they
had a chance to turn around. "Turn around, slowly."
It was just like the movies.
They did as ordered. S-l-o-w-l-y.
"We're the police," the scuzzier of the two said.
"Put the gun away and go inside."
This was one of those situations where you don't have time to
think. You have to act. I asked for ID and he badged me,
cautiously. That was good enough for me. I went inside. So much
for a trigger happy LAPD.
"If the cops are going to stake out your place, let me
know," I asked Sally. She assured me she would. So much for
assurances.
In a Lonely Place
was still on. And then the paranoia
hit. Jesus, they were cops. And I had pulled a gun on them. The
movie droned in the background. It could have been anything as
far as I was concerned. I was spacing out. Visions of SWAT teams
surrounding my apartment took up all the space in my head.
Firefight. The movie in my mind.
"The building is surrounded," the disembodied voice
on the loudspeaker would say. "Come out or we'll blow you
to Kingdom Come."
The thoughts grew larger. What should I do? I called Sally's
apartment phone. I was in my bedroom, which sat directly over
her living room. Probably where the two cops were. One of them
answered. I introduced myself.
"Are you the guy from upstairs with the gun?" he
said.
"Yes," I said.
"Man, you really made me nervous."
Not as nervous as I was when I found out you were the cops, I
thought, but didn't say. He was cool. They weren't going to bust
me. I had, indeed, pulled a gun on the LAPD and lived to tell
about it.
Sally moved out not too long after that. No word of thanks.
Not even a goodbye. I never saw her again. So much for being
appreciated.
And, not too long after that, the Westside Rapist was caught
a block and a half away. |

Instead of going home, Holland headed back to Echo Park. Stared at
the empty lake. Dead, he thought. Drained of its life. Like L.A. He
remembered when his grandparents used to take him boating here. People
still did that, but today they often had to dodge bullets. Not so back
then. It was a different city.
--excerpt from
Angels Flight
(and glad I could loan my title to Michael Connelly) |

LIST OF PUBLISHED WORKS:
(Updated:
09/10/2007)
Born Under a Bad Sign
Hardluck Stories' anthology Noir Blues
51-50
Hardluck Stories' anthology
Psycho Noir
Don't Sleep on it Marlowe - Crimestalker Casebook
A Sherlockian Poetry Pourri - Crimestalker Casebook
911 Fiction on the Run Anthology
Angel's Flight Murder by Thirteen Anthology
Cubic Zirconia of Kubla Khan, The - Futures
Good Old Days, The Murder Across the Map Anthology
Graceland Crimestalker Casebook
L.A. Late @ Night Murder on Sunset Boulevard Anthology
Netiquette - Futures
Out of Time Dime Anthology I
Round Up the Unusual Suspects Crimestalker Casebook
Ruby Slippers, The Penny-A-Liner
Santa Claus Blues - Futures
Sleepy Lagoon Nocturne LAndmarked for Murder Anthology
Trio of Sherlock Holmes poems Crimestalker Casebook
Trouble with Hitch, The Crimestalker Casebook
Unfinished Business Futures
Marx Memory - Playset Magazine (non-fiction article)
Paul also sold a short story to Dogwood Tales shortly before it went out of
business. He hopes there was no connection between the two.
PRIZES / NOMINATIONS:
Paul's novel WHITE HEAT a winner in the 2005 Southwest Writers Contest.
Several of Paul's stories have been submitted by their editors/publishers
for award consideration, including the Pushcart Prize, the Shamus, the
Derringer and the Edgar. His story Netiquette won the Futures
Short Story Contest and Dem Bones was a finalist in the
Southern Writers Association Contest.

All material is copyrighted
© Paul D. Marks 2004 - 2007
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